Using delicate layers of dyed roving, my needle felted wool textiles are built and anchored one wisp at a time with a notched needle until the image becomes fabric. With these materials. one can manipulate light and color in much the same way as an impressionist painter, with the resulting layers of fiber blended by the viewer’s eye, energized by experiments in color theory. The organic textures of wool and wood play off of each other as the textile is recessed into found objects or locally milled timber. The resulting mixed-media sculpture somehow takes on a resonance greater than the sum of its parts.
In my studio practice, landscape compositions are meditations on nature; the vibrancy of sunlit fields against ominous clouds of an approaching storm, the sounds of insects singing in tall grass or waves lapping the shore by moonlight. I consider the mood of each landscape and draw from my own sense memory, working from many photographs while adding my remembered feelings to the final work. After laying down bold, abstract colors as foundation for the composition, I build up to the final details where the smallest highlight can snap my vision into focus. I am surprised each time I stand back to view my own work, feeling myself drawn into the space created, where both the drama and serenity of nature are a balm to my senses and a reassurance in turbulent times.